In the centre of this carré, an exuberant Tree of Life extends its branches laden with sumptuous blossoms and fruit, drawn with great delicacy. A symbol of the life force and eternal rebirth in many world religions, the tree is framed here by a lively frieze of people and animals, inspired by the frescos and wall paintings of Shekharvati in north-western Rajasthan, in India, where their distinctive, naïf style decorates the homes of wealthy Marwari merchants.
Loïc Dubigeon’s design presents mythological scenes such as the legend of Dhola Maru (named for its two heroes – lovers who elope riding a camel), together with richly caparisoned elephants, and the British colonialists’ preferred modes of transport: the bicycle, motor-car and train.
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